In the current body of work I am exploring color relationships via forms that hover between biomorphic and geometric. Within the stricture of a handful of of typical moves (gradient color, pulsing polygons and hallucinogenic face arrangements) I feel for the line between dissonance and harmony and push and pull colors back and forth over it.
My method of working is handed down from the Bauhaus school of color theory and leans heavily on making empirical choices and continually reacting to them. Through the duration of each work, I explore the link between emotive and logical response, and then advance or retreat accordingly.
Formal influences are many and always in flux. Jessica Stockholder’s work remains a constant bellwether as does Sonia Delaunay and of course, Albers (both Anni and Josef).